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Along with “Hitman: Agent 47,” the film is another commercial for Audi - the vehicle receives more slow motion loving glamour shots than any of the women in the film. The transporter’s tricked-up Audi is like Bond’s version of Q and his gadgets rolled up into one. There are axe fights on mega-yachts, and scuba divers hacking tablets, and a truly crazy scene in an EDM club.
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The film is a totally cheeky take on a modern day Bond film. That they are supremely confident, prepared and steps ahead of everyone is something he never would have expected. Frank realizes he’s taken on more than he bargained for when three bombshells in platinum wigs show up in his car. She’s a prostitute seeking revenge on her pimp, with the help of a few other working girls. His employer, Anna (Loan Chabanol) breaks all of his rules, repeatedly. And yet, why does this one seem like more of a sadistic sociopath?
TRANSPORTER REFUELED MOVIE TIMES SUNDAY DRIVER
Skrein is saddled with some poorly photoshopped pictures of his old Army unit, a tenuous underworld connection, and a jolly dad (Ray Stevenson) for a personal life - which is much more than Statham’s driver ever got. In many ways, Statham is the superior driver to Skrein, with his own rough persona imbuing his character with a backstory. He’s smooth and unflappable, barely blinking an eye. Our previous driver, Jason Statham, was a brute seemingly ripped from the streets, while the new iteration, embodied by Ed Skrein, is more male model than reformed thug. STARRING: Ed Skrein, Ray Stevenson and Loan ChabanolĪ reboot of the Luc Besson-helmed “Transporter” series of the early aughts, this film injects new life into the stripped-bare plot engine: There’s a transporter and he drives.